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Charlotte Mandel (New York, 2007), p. 9. , p. 10. uk/cromt/archive/beckettandmusic>. 13 See Nicholas Till, ‘Stefano Gervasoni’s Pas si: Staging a Music Theatre Work Based on a Text by Samuel Beckett’, Contemporary Theatre Review 23/2 (2013): 220–32. 14 Prieto, Listening In. 15 Hans-Thies Lehmann, Postdramatic Theatre, trans Karen Jürs-Munby (London and New York, 2006). Chapter 1 ‘Shades of Lessing’: Beckett and the Aesthetics of the Modern Novel Franz Michael Maier In recent years, considerable effort has been made to understand Samuel Beckett’s artistic beginnings.

She completed her PhD at Goldsmiths in 2012 on communication in the radio plays of Samuel Beckett. Kevin Branigan studied French and English Literatures at the National University of Ireland, Maynooth. He returned to the French Department to complete his PhD in 2006 as a Government of Ireland Scholar. His thesis was subsequently published as Radio Beckett in 2008 by Peter Lang. In January 2009 he discussed Radio Beckett on RTÉ radio’s The Arts Show. He currently teaches French at NUI, Maynooth.

She has directed and performed in many of Beckett’s shorter works. She publishes and lectures internationally in a variety of live and web-based contexts and mentors young theatre practitioners. Her monograph, Performance Theatre and the Poetics of Failure (Routledge), was published in 2010. Brynhildur Boyce has taught at Goldsmiths, University of London and at the University of Iceland. She guest-edited a special issue of Nordic Irish Studies on Samuel Beckett and has published a number of essays on Beckett, including one in Irish Studies Review that won the 2009 British Association for Irish Studies Postgraduate Prize.

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