Music Theory in Practice: Grade 4 by Eric Taylor PDF
By Eric Taylor
ISBN-10: 1854724932
ISBN-13: 9781854724939
This paintings features a unique record of the necessities for the Grade four concept of tune exam, info that could be wanted within the context of the exam, specimen questions and workouts, and suggestions on their options. It offers a legitimate origin for somebody wishing to appreciate tune conception because it is utilized in perform. a large choice of song examples are used to demonstrate the texts and to supply workouts.
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Extra resources for Music Theory in Practice: Grade 4
Example text
The tonal feeling is of E7(119), especially in bars 7 and 8. E7(3) (D and B) and A (01 and A) are paired down to double-stops and played over an E bass pedal in bars 6 and 7. Bars 9 and 10 do something Muddy probably never did: use bVI (C7(3)) and bVII (07(3)) in the chord progression-a staple of blues/rock. Note that the bVI and bVII chords are played only in part as special, two-note double-stops of root and b7. C. (E7(�9)) »� ,/ = =. ':;:" • ... , ... 0. 0 " " � � Mo. , = . . T � 4 ... • = "I ...
D6 D5 *(E) " . - .. � -; "11. "11 . ... (D) � -e- 1 ���... � . , � . 64 Double-Stops/Riffs Based On The Mixolydian Mode The mixolydian mode is very much like the major scale. Only one note is different, but that one note makes all the difference in the world. The note is the 7th degree. Major scales are spelled: 1 2 3 4 5 6 7. The mixolydian scale spells: 1 2 3 4 5 6 b7. Of chief importance is the relationship between that b7th and the major 3rd. We've been talking about and playing examples of this relationship with the tritone double-stop.
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Music Theory in Practice: Grade 4 by Eric Taylor
by Thomas
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