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That, in brief, was the code of courtly love in its German interpretation. That strict, elegant ethic did not, however accord with marital morals which are founded not on the separation of the spiritual and the sensual but on a life-creating harmony of the two. In the family, common sense reigns supreme: moderation is more important than anything! qxp 1/25/2006 3:17 PM Page 54 From this point of view both extremes in love – abstention and intemperance – are equally unfitting. Eve, Delilah, Bathsheba, Solomon’s concubines, Judith, Salome, Venus, Diana, Omphale, Phyllis, Lucretia, young women exploiting besotted old men – they all warned men against losing their reason to feminine charms.

Qxp 1/25/2006 3:08 PM Page 34 Georges Rouault’s composition entitled Filles – a grotesque image of perverse nudity – forms a staggering contrast to the hedonism rooted in the aesthetic of the genre. This is no longer a nude, but naked flesh. The sense of drama inherent in Rouault’s perception of the world comes out in formal hyperbole and anticipates the stylistic trends of Expressionism. At the same time, the artist was not averse to producing other images of nudity – Bathing in a Lake. qxp 1/25/2006 3:09 PM Page 36 Matisse once confessed that if he met a woman like one of his creations in the street he would run a mile.

The passionate style dominates. The dialectic of erotic art banishes what it evokes. That which has been placed under taboos is violated in fantasy. The Union of Earth and Water Peter Paul Rubens, c. qxp 1/25/2006 3:11 PM Page 44 The artist attacks social norms but also yields to them at the same time. Because it can only be enjoyed via the detour of sensitivity and the powers of imagination, the threatening aspect of sexuality is tempered. It is not experienced but channelled through artistic creativity.

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