Robert Duncan: The Collected Early Poems and Plays - download pdf or read online
By Robert Duncan
ISBN-10: 0520259262
ISBN-13: 9780520259263
A landmark within the e-book of twentieth-century American poetry, this primary quantity of the long-awaited accumulated poetry, non-critical prose, and performs of Robert Duncan gathers all of Duncan’s books and journal guides as much as and together with Letters: Poems 1953–1956. Deftly edited, it completely files the 1st section of Duncan’s exotic existence in writing, making it attainable to track the poet’s improvement as he techniques the bright paintings of his center period.
This quantity comprises the prestigious works Medieval Scenes and The Venice Poem, all of Duncan’s lengthy unavailable significant ventures into drama, his broad “imitations” of Gertrude Stein, and the extraordinary poems written in Majorca as responses to a chain of collaged paste-ups via Duncan’s life-long associate, the painter Jess. Books seem in chronological order of booklet, with uncollected periodical and different guides prepared chronologically, following every one publication. The creation features a biographical observation on Duncan’s adolescence and works, and clears an preliminary course during the textual complexities of his early writing. Notes supply short commentaries on each one booklet and on a few of the poems.
The quantity to stick with, The accrued Later Poetry and performs, will contain the outlet of the sector (1960), Roots and Branches (1964), Bending the Bow (1968), floor paintings (1984), and floor paintings II (1987).
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Extra resources for Robert Duncan: The Collected Early Poems and Plays
Example text
Also at the University of British Columbia, Ada Smailbegovic and then Scott Innis were both tirelessly cheerful and thoroughly careful research and editorial assistants to whom I owe much: without them this project could not have been brought even close to completion in the time allotted. Ken Hooper, archivist at Bakersfield High School, set his class to work tracking down Duncan materials in school records and publications and was generous with both materials and energies; Pauline Butling and Fred Wah both unstintingly shared letters and papers from their respective archives and helpfully recalled their experiences editing and publishing the first edition of Writing Writing.
With the exception of the poems from his first book, Heavenly City, Earthly City (long out of print and prohibitively expensive), and two poems (“An African Elegy” and “King Haydn of Miami Beach”) from Selected Poems (another scarce and expensive book), not only had none of the twenty-nine remaining poems it collects ever appeared in a collection before, but—more to the point—the book is Duncan’s careful attempt to restore to the canon of his work poems on which he had hitherto turned his back, to all intents and purposes renouncing them.
The only reason for greater articulation is to set words, phrases, breath groups, lines into a more complex movement. . ”32 As an articulation of distinct words, then, the poem should be jointed or joined, as a skeleton might be intelligibly sequenced. 35 Duncan adopted themes, materials, and strategies ahead of time in this long meditation and exploration of contrasts and personal conf licts arising from the jealous rage and shock of a lover’s betrayal. ”36 Structured overall after Stravinsky’s Symphony in Three Movements (with an added coda), the poem contrasts the contemporary world of his own experience (his failed love affair, his correspondence, the city of Berkeley, and so forth) with worlds of which he has only indirect experience: lantern slides of Venice, a photograph of the Venus of Lespuges, historical and art historical accounts of Byzantium, Shakespeare’s Othello, and so on.
Robert Duncan: The Collected Early Poems and Plays by Robert Duncan
by Christopher
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