New PDF release: The Blues Lyric Formula

By Michael Taft

ISBN-10: 0203959078

ISBN-13: 9780203959077

ISBN-10: 0415974992

ISBN-13: 9780415974998

This publication is the 1st rigourous and particular exploration of precisely how blues singers used formulation to create songs, and it greater than amply fills the distance within the the research of the blues, the place the constitution and content material of the lyrics were much less totally explored than the musical form.

Focusing at the songs recorded by means of African-American singers for pre-World struggle advertisement recording businesses, this is often a good structural research of the formulaic composistion of blues lyrics.

This ebook offers a step by step description of the foundations implicit during this formulaic constitution and evokes new dialogue of lyric structures.

A good selection of readers will locate this insightful and informative: from scholars of African-American track, cultural reviews, background and linguistics, to Blues lovers eager about precisely how the lyrics of this influential tune sort are written.

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Extra info for The Blues Lyric Formula

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Ind 30 1/9/06 7:10:36 AM Defining the Blues Formula • 31 Quirk’s concept of “lexical congruity” or for that matter of what is “fundamental to linguistic expression” is as vague and variable as Parry’s nonlinguistic criteria. Other scholars, however, have been much more precise in determining when two phrases may be seen as members of the same formula. These scholars may be grouped into two linguistic schools: those who define the formula primarily by its syntactic properties and those who define the formula primarily by its semantic properties.

Thematic criteria might be of primary importance for some types of analyses, while folk categories might be more significant for other studies. ind 29 1/9/06 7:10:36 AM 30 • The Blues Lyric Formula I will establish an operational definition of the formula that will be of the most use in this type of analysis. Even within the boundaries of this study, however, an inflexible paradigm is impossible, because, as will be shown, the formula is a theoretical construction that may be shaped, to some extent, to fit particular structural analyses.

This reordering, however, places different rhyme words at the ends of these two phrases: frowns in couplet 8 and face in couplet 9. This difference, in turn, means that these two phrases require different rhyme sounds in their respective accompanying lines in the couplet: town in couplet 8 and place in couplet 9. Because of this rhyme difference, these two phrases are not mutually replaceable, and therefore they are not members of the same formula. Once blues singers chose a particular rhyme sound in the first line in the couplet, their options in the second line became channeled toward a particular subset of r-formulas in the matching line.

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The Blues Lyric Formula by Michael Taft


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